Here you are, John:
Mainly most of the time he overdubs what you can hear from the band. He starts off with the clip at the Hamburg Star Club in '69, saying he only recognized Micky and Martin who started their world career there and then. That then meant to be 15-minute-songs, closed eyes and some shit (drugs here) now and then, he says. Martin, he continues, just having replaced Deke who, the guy remembers, had been in jail for smuggling drugs. Then the guy retells the story of Deke returning to the fold, Martin switching to bass and the former bass player (Ray) being fired.
The curtain bit: He doesn't get Martins account on Clive, he just gets the organ bit and pretends not to remember that he'd been the one closing the curtain on those unwelcome organ sounds coming from Clives instrument.
The Buddy Holly bit: When Martin explains to him that BH had been a progressive musician for writing the bands stuff himself the guy doesn't want to agree. When Phil puts in "true love ways" as an example the guy offers that Peter Gordons' had been the better version. He instantly feels he's overdone it and comments: Phil Ryan almost lost his religion.
The music influence bit: I think you understand everything there Martin says - direct translation there.
Ending the interview he's impressed what sorts of emotions he evicts by mentioning Genesis. He ends the interview saying: "This is the right moment for me to say good-bye. The band Man was very nice, very agreeable ... you can wave to over here, you can wave to Elton (?) over there ... well, they said it ... Genesis, Phil Collins. But Genesis not only included Phil Collins, they included Peter Gabriel, now they have one Ray Wilson as a singer ... all crap, all crap (repeats Deke's thoughts on Genesis), but nevertheless, towards the end I want to play Genesis to annoy Man ..."
